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Weekly excerpt to help us remember the sacred.

Awakin.org
Weekly Reading Sep 14, 2026

Where The Longest Light Meets The Gathering Dark

–Shannon Willis

Translations RSVP for Awakin Circle
tow1.jpgAcross the living world, abundance and decay, flourishing and loss, are braided together in an intimacy our industrial myths have taught us to forget.

To stand within this season is to remember that we are not separate from these cycles but participants in them, creatures woven into a vast, animate conversation. Because the world does not move according to the linear promises of progress that have so thoroughly shaped the imagination of modernity. It moves more like a forest floor, where decay and emergence remain inseparable, where endings feed beginnings, and where unseen mycelial networks carry nourishment, memory, and possibility through darkness toward futures no single creature can fully anticipate.

The sacred is not elsewhere. It is woven through these exchanges, through the reciprocity of soil and root, river and rain, grief and renewal.

Perhaps the invitation of this season is not to seek firmer ground but to learn how to inhabit the trembling.

Not as masters of a world in crisis, nor as victims awaiting rescue, but as participants in a living and unfinished conversation whose outcome remains beautifully, and sometimes terrifyingly, uncertain. To remain present at the threshold. To listen for what is emerging beneath the noise.

To remember that even in times of unraveling, the world continues its patient work of weaving new relations from what has come apart. For once the sun reaches its greatest height, the wheel quietly begins its turn toward darkness. The Earth, as she so often does, reminds us that culmination and descent belong to the same story.

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What shifts in you when you consider the notion that the world moves “more like a forest floor” – where decay and emergence are inseparable, where endings quietly feed beginnings? Can you share a personal story of a time when something in your life came apart and, only later, revealed itself to be the ground from which something new was being woven? What helps you “inhabit the trembling” – to stay present at the threshold of uncertainty without reaching for false ground or turning away from what feels unfinished and alive?

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